Guitar simulation software dumble

Detailed modelling of analogue electronics is the key ingredient in the DelayThing and ModThing processors, providing versatile analogue style delay and modulation effects. RoomThing is a studio quality reverb processor adding depth and space to your guitar sounds. If you've never tried S-Gear you are missing out on a great experience.

All the amps and effects are carefully designed by Mike Scuffham former product designer for Marshall Amplification, and veteran of hardware electronic product design.

You may come across products boasting high numbers of amps and effects, but the Scuffham approach is to give you only the best. We want you to achieve the best possible sounds with the minimum of hassle. Read more about our approach to modelling classic guitar amp electronic circuits. Based on the version of the software you get, you will have hundreds of different effects and amp simulations. Similar to the real thing, you can add or remove reverb, gain, loop, and so on.

DAW stands for Digital Audio Workstations might not be the best thing for beginners, due to the complexity of these programs. This is just to get you started. Cakewalk is designed by BandLab, and as other products on the list, is free. It is quite decent software you can try, and since it is free, it offers you a chance to play with it without worrying about a thing.

Another great software you can try if you are looking for something heavier is Magix with Vandal SE. Here, you will have a variety of crunch tones, drives, and other effects that are perfect for any heavy metal or rock lovers out there. It works great for both singles and humbuckers as well. Magix is great for both beginners and more advanced players, and you can check it out on the link above. This means that you already have or plan to have a Digital Audio Workstation, and there are so many incredible programs available.

If you opted for Cakewalk, which is free, you can follow the link below to see how to install and add VST plugins into it. Blue Cat is a free simulation plug-in for your DAW, which can be great if you are looking for more variations to your guitar sound. Since this program is free, you can easily download it, and check it out for yourself. The design is easy to use, and it works as a demo of their Axiom program. You will get a taste of their popular amps. There are three amps available and you can use them regardless of your music taste.

Settings for each of the three amps allow you to use anything from clean and soft guitar sound to crunchy heavier sounds for rock lovers. Boogex is a rather interesting program. While it has a similar function to the others on the list, the design is a lot different.

Where Boogex shines is with low and medium settings for gain. You can still play it with higher gain, but the sound will be a lot less clear. However, this might be appealing to some players anyway. Higher gain settings are a lot more fizzy and compressed. There are also a lot of built-in impulse responses, and you can add different loaders as well.

Voxengo also made sure that you have an impressive selection of amplifiers, cabinets, and even microphones. The quality of this software lies in variations and changes you can try out. Almost anything is possible, and you can try both smooth jazz sound and heavy metal drive. The latency is almost zero, which means that you can use it for real-time processing.

The main thing about Ignite amps is they are completely free to use. Their product covers both tube amps and solid-state ones.

If you were wondering about how it works, the technology is based on analog modeling and derives systems of nonlinear differential equations. You can also get a plug-in for the majority of DAWs or Digital Audio Workstations, and you can play, record, and test it as much as you like. While it might not sound as impressive as having a Fender, these simulations are incredible, and you can adjust and customize them as much as you desire.

These plug-ins have different purposes, and you can find ones designed for mixing, jamming, simulations of tube amps, solid-state, and so much more. Another exciting thing you can try is one of the LePou plugins. These are designed to simulate one several popular amps.

You can find, for example, a hybrid guitar amp, which is a solid-state amp with tubes in the preamp. Mac and the Mac logo are trademarks of Apple Computer, Inc. We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audience is coming from.

To find out more or to opt-out, please read our Cookie Policy. To learn more, please read our Privacy Policy. This approach to achieving something like the fabled mid-rich Dumble sound is also a great experiment for fans of the equally famous yet distinctly different mid-hump profile of the Ibanez Tube Screamer.

At least part of the inspiration of what Alexander Dumble crafted into the tone of the Overdrive Special was the sound Robben Ford achieved by running his rig into the front end of a cranked Fender Blackface amplifier likely a Super Reverb or Bassman. While the price point of the Overdrive Special is out of reach for most, the ratio of original or reissue Blackface amps to Dumbles is about a billion to one and they come at a fraction of the price. Similar to the EQ pedal solution above, a compressor pedal can help round out the edges of your guitar signal before it interacts with the Blackface clone to provide an inviting Dumble-type tone at the edge of clean breakup.

Despite its small footprint and price tag, the SP has a surprising range of controls including a blend knob to dial-in the un affected signal and a three-way toggle-switch to manage degrees of compression and sustain. When paired with a Blackface clone, this tiny pedal brings a certain snap and definition that aids in finding that glassy Dumble sound.

Benefits of this setup: Not only will this combination provide the responsiveness of a tube-type Blackface amplifier, it also overlays that tonal platform with a bit more punch and clarity—not unlike the contour of the Dumble clean channel. Maybe you want to stare down the front end of the parameters of Dumble and toy with it inside and out. This digital Dumble clone is customizable along much of the same parameters that you would find on the front end of a classic Dumble amp.

Yet the added benefit here is that the program allows users to intuitively expand and reconfigure the original tonal architecture of that glassy Dumble sound by combining it with a huge range of other digital renditions of gear, from preamps to pedals to cabs and mic placements.